Eckig 1931

Curator: Wassily Kandinsky created this artwork, entitled "Eckig," in 1931. It combines watercolor and pastel on paper, showcasing his exploration of geometric abstraction during his Bauhaus years. My first impression is how subdued yet meticulously structured it appears. The pastels give it a calm atmosphere. What stands out for you? Editor: I am struck by the overlaying lines. They remind me of technical drawings—plans, even. It prompts the questions: how was this created? With what tools? It clearly has that geometric abstraction the Bauhaus movement is known for, but it seems quite calculated, more industrial than gestural. Curator: Indeed, Kandinsky's Bauhaus period was deeply influenced by the institution's focus on the synthesis of art, craft, and technology. We can consider that as his work evolved, he integrated more structured, geometric forms as a way of exploring the spiritual in art through more objective means. Editor: The way the watercolor washes combine with such precisely drawn lines suggests that synthesis. Did he use stencils, rulers, templates perhaps, or were these all drawn by hand? It blurs the boundary between design and what we might deem fine art. And the materials! What type of paper would be most suited for both watercolor and pastels? Curator: These are important considerations. The Bauhaus fostered a radical re-evaluation of art’s role in society, challenging traditional hierarchies. Kandinsky embraced the potential of industrial materials and processes. It is interesting to think of Kandinsky's hand operating like a craftsman creating an object to be functional as well as contemplative. Editor: Precisely. This challenges the romantic idea of the artist as an inspired genius. He is presenting the materiality and processes behind creating images. We should be discussing the makers as much as the artists themselves, no? It redefines art’s function beyond pure aesthetics and incorporates it within broader social practices. Curator: "Eckig" reflects this transition. Kandinsky presents to his audience both the aesthetic enjoyment, as well as to prompt our understanding the principles of design inherent to artistic creation. Editor: And making us question what is art versus design, what is crafted and laboured versus just aesthetic.