Copyright: Rijks Museum: Open Domain
Curator: Up next is a pencil drawing entitled "Gezicht op gebouwen in Amsterdam," or "View of Buildings in Amsterdam." It was sketched sometime between 1886 and 1908 by George Hendrik Breitner. Editor: It has the feel of something glimpsed, quickly captured before the moment vanished. So immediate and fragmentary. Curator: Breitner was deeply interested in capturing the pulse of the city, focusing especially on working-class life in Amsterdam. He felt photography and painting could learn from each other, which places this work right at the crux of changes in artistic representation in the late 19th century. Editor: And you see the influence. It is a quick sketch in pencil but there’s something photographic about the almost brutal way the scene is cropped and framed. How much does that lend itself to a modern perspective of life in the city? The drawing feels spontaneous and unfiltered. Curator: Breitner was nicknamed 'the painter of Amsterdam,' and his work shows the rapid urbanization taking place, making his pieces important historical records as well as aesthetic creations. The light seems to capture a moment perfectly. Editor: Yes! Although faint, those buildings looming overhead exude a certain weight of history, or even, the history bearing down. Do you think we are meant to feel small and ephemeral alongside these giants, caught in the sketch as if captured by the eye of the metropolis itself? Curator: Perhaps. But Breitner was also influenced by Impressionism. It might be interesting to consider that Amsterdam and Dutch society played significant roles in forming the social, political, and intellectual milieus in which movements like Impressionism became not only possible but vital. Editor: I think that looking at Breitner’s sketch today we see the city not only as it was, but perhaps a keyhole view into the shifting perspectives and conditions of modern urban life that have grown into a behemoth now. Curator: A perspective formed both by art and social conditions.
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