Krijgsoefeningen / Manoeuvres militaires by Brepols & Dierckx zoon

Krijgsoefeningen / Manoeuvres militaires 1833 - 1911

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drawing, lithograph, print

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drawing

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narrative-art

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lithograph

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print

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genre-painting

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history-painting

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realism

Dimensions: height 320 mm, width 369 mm

Copyright: Rijks Museum: Open Domain

Editor: This lithograph, "Krijgsoefeningen/Manoeuvres militaires," created sometime between 1833 and 1911 by Brepols & Dierckx Zoon, really catches the eye with its almost schematic depiction of soldiers. It's like a regiment laid out on a grid! What visual stories do you think it tries to tell? Curator: This image whispers volumes about order, hierarchy, and the romanticised view of military power prevalent in that era. See how the soldiers, rendered as types, not individuals, become symbols. Each row presents a variation on a theme: standing, marching, riding. Notice the palette. The restricted colour scheme speaks of a visual vocabulary where each shade would carry a message regarding the wearer's role. What meanings or emotional connotations do you think are coded within the rows of soldiers? Editor: It feels very regulated and systematic, I guess, and slightly anonymous. All those uniforms! I see the red as possibly representative of power and/or violence, with blue adding the sobriety or seriousness of conduct to their roles. Are the horses acting more as tools than living creatures in this image? Curator: Indeed. The horse is elevated beyond simple beast of burden to be a partner in conquest. The rigid lines mimic dance notations, but here they document gestures of potential force. Consider the era; lithography made images widely accessible, helping construct national identities. This print would function not merely as a visual record but as an exercise in visual conditioning, reinforcing values of obedience and nationalistic fervor. Do you feel it achieves this now or has that symbolism waned over time? Editor: That's a great point! It makes me wonder about how seemingly simple images carry cultural baggage we might not initially perceive. So, more than just an exercise manual, this piece operates as an icon that condenses ideologies about war, duty, and national pride into a single image. Curator: Precisely! These symbolic condensations speak volumes about the cultural memory woven into visual representation.

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