Saint Silvester Gozzolini 1320s

Segna di Buonaventura’s “Saint Silvester Gozzolini,” now at the Metropolitan Museum of Art, was made using egg tempera and gold leaf on a wood panel. Typical of paintings from the 13th and 14th centuries, materials were built up in layers. Applied to the wooden panel, gesso provided a smooth ground for painting. Next, the artist applied delicate gold leaf to create a shimmering backdrop, enhancing the spiritual quality of the image. Tempera paint, made from pigment mixed with egg yolk, was then carefully applied in thin, translucent layers, allowing the artist to build up color and detail with precision. Looking closely, you can see how the artist masterfully manipulated light and shadow. Notice the subtle gradations in color on the saint's face and hands. Also observe the intricate patterns incised into the gold background. The making of this work depended on the skilled labor of artisans, and the expense of its materials signals the wealth and power of its patron. By considering the materials, making, and social context of “Saint Silvester Gozzolini,” we appreciate its artistic and historical significance, challenging the traditional divide between fine art and craft.