Lisboa by Carlos Botelho

Lisboa 1969

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abstract painting

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water colours

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graffiti art

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impressionist painting style

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handmade artwork painting

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paint stroke

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painting painterly

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painting art

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watercolour bleed

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watercolor

Copyright: Carlos Botelho,Fair Use

Curator: Ah, this watercolour really does have a calming, pastel charm. We’re looking at “Lisboa” by Carlos Botelho, painted in 1969. Editor: Calming is one word for it. For me, it's like a child's daydream. I’m immediately struck by the washed-out colors, the near absence of strong shadows. It gives this sprawling city a sense of ethereality, almost like it could float away. Curator: It's true. Botelho's handling of the watercolour medium does lend a whimsical air to a real place, Lisbon. He doesn’t portray Lisbon's landmarks with perfect accuracy, and yet it breathes the very essence of the city, it has got a palpable feeling of nostalgia about it. Editor: Right, I wonder what sort of papers and pigments he employed to achieve this dreamy quality? Considering it’s from 1969, materials availability might have significantly impacted his artistic process. Did he perhaps prime the paper in any unique manner to affect absorption of these watercolor washes? Curator: I find myself musing on how he builds depth using colour and light—not through realism, but through suggestion. See how the watercolor bleed evokes the architectural elements without rigorously defining their shapes? Editor: That’s certainly what many refer to as "painterly". However, these repeated structures remind me of assembly line standardization—housing, for example. I’m intrigued to know the type and cost of housing that existed at this time. After all, the painting almost resembles rows of mass-produced units. Curator: That’s a wonderfully cynical interpretation! I'm enjoying your material analysis, and this juxtaposition certainly has the potential to make one reflect on what Botelho tries to show the viewer of this watercolour city view. I perceive he attempts to extract the city’s enduring spirit! Editor: It’s interesting how art can invoke different interpretations and considerations from the tools of creation to its social meanings. Thanks for these reflections. Curator: My pleasure, I must admit your viewpoint gives this idyllic scenery some depth to it and raises several points worth considering!

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