drawing, painting, oil, watercolor, impasto
drawing
water colours
painting
oil
landscape
handmade artwork painting
oil painting
watercolor
impasto
expressionism
abstraction
watercolor
Copyright: Public Domain
Alexej von Jawlensky created "Variation (Trees)" with oil on cardboard. The painting is like a stage set for abstract actors! Look at the simple shapes, the green form on the left with its three, maybe slightly startled, eyes, or the sort of plum-colored, almost droopy shape on the right. I can imagine Jawlensky dabbing the paint, coaxing the forms into being, maybe stepping back and squinting, trying to get the balance just right. Did he want us to feel a sense of playful unease? It makes me think about his other paintings and the work of other early abstractionists like Kandinsky, where color and form are really pushing the boundaries of what a painting can be. It’s like they're asking, "Can color alone make you feel something? Can a shape tell a story?" Painters are always in conversation, building on each other's experiments. This piece to me is an invitation to see with fresh eyes, to let go of expectations, and to find the emotional resonance in simple forms and colors.
Comments
The outbreak of World War I forced Jawlensky to leave Germany. In his exile in St Prex on Lake Geneva, he took to recording the view from his window over and over again, responding to the visual effects of the constantly changing weather, times of day, and seasons. He ended up producing hundreds of these ‘Variations’, usually several on a single day. In the process, he reduced the path, bushes, and trees to a few recurring forms and colour zones. Here he laid them out in pencil, then using a bit of oil paint to unite them in a soft harmony of pastels.
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