Skirt c. 1960s - 1970s

This dazzling skirt was lovingly made by an anonymous artist, and it’s now housed at the Minneapolis Institute of Art. I love that we don't know who made it, it gives it a kind of magic. Looking at the skirt, what strikes me is the incredible attention to detail and the obvious joy in its creation. The stitches are so precise, yet the overall effect is playful and exuberant. I'm drawn to the way the tiny mirrors catch the light, creating a sense of movement and energy. I see a sort of flower motif rising up from the hem, very decorative. The rich, deep red of the fabric serves as a vibrant backdrop to the colorful embroidery. It's a reminder that art can be both functional and beautiful, and that the act of making can be a form of storytelling. There's something about this skirt that reminds me of the work of Ree Morton. Both artists share a love of color, texture, and a willingness to embrace imperfection. Ultimately, this skirt is a testament to the power of art to connect us to each other and to the world around us.