Portret van een vrouw met bril en muts by Jacobus van Gorkom jr.

Portret van een vrouw met bril en muts 1862 - 1871

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photography, gelatin-silver-print

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portrait

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aged paper

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toned paper

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muted colour palette

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photography

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coloured pencil

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gelatin-silver-print

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watercolor

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realism

Dimensions: height 84 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this haunting portrait, what's the first thing that jumps out at you? Editor: It’s the gaze, undeniably. Earnest and piercing, through wire-rimmed spectacles, though the muted palette gives it a strangely gentle feel, doesn't it? Almost like she’s peering out from a long-lost memory. Curator: Absolutely. We’re viewing a gelatin-silver print, subtly enhanced with watercolour and colored pencil, titled *Portret van een vrouw met bril en muts*, or *Portrait of a Woman with Glasses and Bonnet*. It was made sometime between 1862 and 1871 by Jacobus van Gorkom Jr. Editor: The photographic elements give it such gravitas. Considering when it was made, it's hard to avoid questions about class, representation and maybe access to portraiture at the time? I wonder who commissioned it? Curator: That’s a superb point. Photography was becoming increasingly accessible then, allowing more people to be seen and documented. Her dress and bonnet suggest a certain…restrained dignity, wouldn’t you say? Editor: Precisely. You sense an almost insistent middle-class striving in the very pose. And, perhaps, the muted colours hint at a reserved character – or at least, how she wished to be perceived. The oval frame also seems to reinforce this sense of decorum and formality. Curator: There’s a poignant sense of holding on to tradition in this piece, even amidst photography's revolutionary rise. The watercolor touches soften the clinical coldness photography could have at this time, lending her a delicate individuality. Van Gorkom created a delicate dance between technology and artistry, truly. Editor: In essence, then, it’s both an intensely personal snapshot and a telling social document all at once? One can't help but think of all the unseen stories portraits like these must conceal. It definitely brings up so many questions for me regarding representation. Curator: Precisely. What a fascinating dialogue we’ve had with this lady across time. Thank you for your thoughtful insights.

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