Portret van Henricus Huls 1670 - 1713

Editor: This is “Portret van Henricus Huls,” made sometime between 1670 and 1713 by Pieter Schenk. It’s an engraving. I find the stark contrast and tight composition make it seem quite formal. What catches your eye when you look at this portrait? Curator: Well, my first thought spirals back to the era, right? The Baroque! Think swirling drama, emotional intensity... and massive hair! Seriously, that wig is practically a character in itself. It speaks of status, importance, of wanting to dominate the visual space. Don’t you think that level of self-presentation says something about the period’s values? Editor: Absolutely! It’s like saying, "Look at me, I’ve got the time and resources for *this*." I wonder, though, if it's entirely about outward show? Do you see anything hinting at the inner character of the sitter? Curator: Good question! Beneath all the theatricality, there’s a certain directness in his gaze, wouldn't you agree? The inscription *Malis displicere* and *laudari a te* hints at someone concerned with authenticity, someone determined to be true to himself. The portrait as a whole presents the duality of existing within and slightly against a culture. How else would you describe this cultural push and pull? Editor: That makes me look at the artwork from a different angle. Curator: Exactly. Sometimes the most interesting things in art happen where intention and interpretation playfully diverge.