assemblage, sculpture, site-specific
concrete-art
non-objective-art
assemblage
form
geometric
sculpture
site-specific
modernism
Copyright: Camilla Low,Fair Use
Camilla d'Errico’s "Spring Rain" presents us with stone vessels, each marked by hollowed openings. These forms, stoic and modern, resonate with ancient rituals of offering. Consider the opened space, the ‘omphalos’ or navel, a symbol seen in Greek temples, marking the center of the world, a conduit to the divine. These openings invite a symbolic exchange. Are they receptacles for libations, or do they signify a point of departure for prayers? The coldness and rigidity of the stone contrasts with the artwork's title evoking a sense of longing and rebirth. In our collective psyche, rain has always been a potent symbol of cleansing and fertility. These forms echo across time, evoking dolmens and menhirs, ancient markers of spiritual importance. Like those monuments, these sculptures invite contemplation, connecting the viewer to an endless cycle of renewal.
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