Verbranding van Johannes Hus by Anonymous

Verbranding van Johannes Hus 17th century

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print, metal, engraving

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portrait

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print

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metal

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sculpture

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ancient-mediterranean

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history-painting

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engraving

Dimensions: diameter 3.3 cm, weight 13.82 gr

Copyright: Rijks Museum: Open Domain

Editor: So, this piece is entitled *Verbranding van Johannes Hus,* or *Burning of Jan Hus,* dating back to the 17th century. It's attributed to an anonymous artist and made with metal—it looks like an engraved print, maybe on a coin or medallion? I'm struck by the… flatness of it, yet there’s also a clear attempt to depict a narrative. What do you see in this piece? Curator: It’s a potent reminder of how symbols distill complex historical narratives into readily understandable forms. Here, we see Jan Hus, a religious reformer, facing execution. Consider the very act of commemorating such a controversial event on a coin. What message do you think the creators wanted to convey? Editor: Perhaps a message of resistance? Or martyrdom? Commemorating Hus’s death would seemingly validate his cause. The figure engulfed in flames is pretty striking. Curator: Indeed. The flames, a very visceral symbol, serve to ignite not just the figure, but also the viewer's emotions. Think about fire as a purifier but also a destroyer. Is the coin celebrating or warning? Who would carry it? Editor: I guess I hadn’t thought about it that way. It makes you wonder about its original owner and their beliefs. Someone sympathetic to Hus, I would think. How does this fit into broader iconographic traditions of the period? Curator: The Protestant Reformation relied heavily on disseminating images. Prints, pamphlets, even coins like this one, played a crucial role. The images simplified complex theology but served as potent reminders of the struggle against the Catholic Church. Consider the symbolic power of portable objects during times of religious conflict. The image could be used for contemplation, preaching, or revolt. Editor: It’s amazing to consider the power of images during that time. The imagery creates a sense of cultural memory through a small everyday object. I’ll never look at a coin the same way! Curator: And hopefully, the artwork becomes a portal to learn, analyze, and question beyond a simple reaction.

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