Ornament, lijnen en cirkels c. 1925

Carel Adolph Lion Cachet sketched this design, an interplay of ornament, lines, and circles, on graph paper. The central motif features a pattern of swirling, organic forms and concentric circles enclosed within a rectangular frame, and the careful geometry evokes the ordered harmony of classical design. Consider how the circular motif has appeared throughout history: from the sun disks of ancient Egypt to the rose windows of Gothic cathedrals, the circle symbolizes wholeness, eternity, and the divine. These forms are not merely aesthetic choices, but are deeply rooted in the collective memory of humankind. As the circle evolves, it merges with the symbolic language of a new era, reflecting the changing relationship between humanity and the cosmos. Here, the design's appeal lies in its ability to tap into primal feelings of order and unity. These shapes have resonated across cultures and epochs, resurfacing in various guises.