Autres tems autres (...)..modes 1800-1780-1824 , ca. 1829-1830 c. 1829 - 1830

Editor: This lithograph with watercolor by Charles Philipon, "Autres tems autres (...)..modes 1800-1780-1824", seems to gently mock the changing fashions across those decades. It's whimsical and slightly absurd. What do you notice when you look at this piece? Curator: Well, for starters, isn’t it funny how fashion always seems to be looking backwards? Philipon's almost winking at us, suggesting the fleeting nature of trends. The clothing, for example, has these exaggerated ruffles and bows—almost like frosting gone wild. The pastel palette adds a certain delicate irony, doesn't it? A little sweetness to the satire. And those hairstyles? Don't they remind you a bit of piled-high meringues? What story do you think the artist wanted to tell? Editor: That's such a great observation about looking backwards and the meringue hairstyles! I guess he's saying that each era thinks its fashion is the pinnacle, even when it's kind of ridiculous? Curator: Exactly! It's a commentary that still rings true today. The absurdity of clinging to the 'now', only to cringe at it later. Plus, notice the subtle differences in posture. What could the artist be suggesting by showing us a profile view versus a woman who directly faces the audience? It gives them almost distinct personalities based on dress, doesn't it? Editor: It does, and almost makes the woman from 1780 seem shy or hidden, like fashions she embodies are almost embarrassed to be out of date. I didn’t initially notice that! Curator: And see how each garment's visual style impacts your immediate assumptions, or gut reactions, regarding who those women are? And ultimately... ourselves? Philipon prods at identity by making it transient and funny. Editor: Wow, it's like he’s saying, "Don’t take yourself too seriously, especially when it comes to what you’re wearing." That makes me see fashion in a totally new way. Thanks!