Jug with cover (one of a pair) 1713 - 1714

Editor: This is “Jug with cover (one of a pair),” crafted by Simon Pantin I around 1713-1714. It's silver, with incredibly detailed baroque sculpting. It seems to be more than functional. What do you see in this piece, viewed from a formalist perspective? Curator: Precisely. Let's consider its aesthetic arrangement. Notice the distinct layering. The vessel's bottom portion features ornate, raised detailing. These forms establish visual rhythm as your eyes move upwards. Above, observe the smooth, polished expanse culminating in the lip. Do you perceive a visual relationship between these varied surfaces? Editor: Yes, there is that smooth band between them too. The embossed lower section draws the eye, yet the unadorned surfaces above and below it almost frame this display, adding to its opulence. How does the handle factor into the jug's structural organization? Curator: Good observation. Its curving line presents a counterpoint to the body's verticality, enriching the whole object. Furthermore, the handle's reflectivity complements the lip, producing visual harmony. How do these different parts add to the function? Editor: I see how the interplay between ornamented and simple forms enhances its refined appeal and, even though its a vessel, elevates it from a simple jug into a stunning, unified piece of baroque sculpture. Curator: I agree. The balance achieved through careful structuring reveals the artist’s intention. Thinking formally allows us to examine the artist's use of aesthetic elements in the final effect. Editor: Considering surface qualities, balance and symmetry helps us to consider how successful Pantin was. Curator: Indeed, a valuable takeaway!