Dimensions: support: 641 x 762 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Philip Wilson Steer's "The Swiss Alps at the Earl’s Court Exhibition." It feels like a memory, all soft edges and muted colors. What captures your attention most? Curator: Oh, the sheer artificiality of it all! Here we have an attempt to recreate the sublime, the majestic Alps, in, of all places, Earl's Court. But rather than lament the lost grandeur, Steer seems to revel in the charming pretense, don't you think? Editor: I do. I guess I expected something… grittier? I can see the humor in the artificiality now. Curator: Exactly! It's a gentle poke at our desire to package and consume experiences. A reminder that beauty can be found even in the most unexpected, slightly absurd, places. Editor: I like that much better than my initial impression. Thanks! Curator: My pleasure! It's always rewarding to find the wink hidden within the spectacle.
http://www.tate.org.uk/art/artworks/steer-the-swiss-alps-at-the-earls-court-exhibition-n05375
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The Earl’s Court Exhibition of 1887 was the first of four, devoted in turn to America, Italy, France and Germany. The ‘Alps’ were the painted backdrop to the display about America which owed much of its success to Colonel Cody’s (‘Buffalo Bill’) Wild West Show. Steer’s use of sombre colours and decorative surface pattern echoes the work of Whistler and Japanese prints. In the following year he began to adopt the style and technique of the French impressionists, and painted a series of beach scenes in luminous colours. Gallery label, November 2016