Heilige familie met Johannes 1612

This print of the Holy Family with Saint John was made by Pieter Feddes van Harlingen, likely with an etching technique. The physical qualities of the print, its size and monochrome palette, shape the intimacy of the scene. Prints like this one were made with a metal plate, coated with wax, and then scratched with a needle to reveal the metal beneath. Acid would then be applied to bite into the exposed lines. The plate is inked and pressed onto paper, creating multiple impressions of the image. This reproductive process democratized imagery, making art more accessible beyond the elite circles of patronage. Here, the artist shows the tenderness of family life, capturing a moment of quiet affection. The etched lines emphasize the softness of the figures' faces and drapery, drawing us into their world. But it’s important to remember that this image was not just a personal expression. It was also a product of a specific set of skills and industrial processes that shaped its very existence. Considering the material and making of this print allows us to appreciate not only its aesthetic qualities but also its social and cultural significance.