Portret van Moses ter Borch by Gesina ter Borch

Portret van Moses ter Borch c. 1670

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painting, watercolor

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portrait

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baroque

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dutch-golden-age

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painting

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watercolor

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portrait drawing

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portrait art

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fine art portrait

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celebrity portrait

Dimensions: height 243 mm, width 360 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Portret van Moses ter Borch," made around 1670. It's watercolor on paper, currently held at the Rijksmuseum. There's a certain theatricality about this figure, a formality. What jumps out at you when you look at this portrait? Curator: The enduring power of symbolic representation fascinates me. This portrait, for instance, echoes established archetypes of power and status through the visual language of the Dutch Golden Age. The loose, golden hair isn't just a hairstyle, but a deliberate display of wealth and vitality. Editor: How so? Curator: Hair, throughout history, has been a potent symbol. Think of Samson's strength residing in his locks. In this context, the extravagance of Moses ter Borch’s hair serves as a signifier of his social standing and personal confidence. Consider also the ornate clothing—each element, from the lace collar to the patterned doublet, speaks volumes. Do you notice any other repeating motifs? Editor: Well, the coat of arms in the upper left corner... and what’s the meaning of the golden sash? It seems very carefully placed. Curator: Precisely! These aren't arbitrary details; they're carefully constructed symbols of lineage, aspiration, and belonging. The golden sash might allude to military service or some other civic duty, wrapped around an overt sensuality, wouldn't you say? Visual cues like these tell a multifaceted story about the sitter’s identity and his place in society. These emblems are his totems. Editor: It's amazing how much these symbols communicate, even centuries later. I’ll definitely pay closer attention to those details from now on. Curator: Indeed, this has taught me to reconsider the narratives encoded within portraiture, beyond the mere surface of representation.

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