Essempio di recammi, page 16 (recto) 1530

This is page 16 from 'Essempio di recammi' by Giovanni Antonio Tagliente, made in the early 16th century using woodcut on paper. Notice how the composition is structured into distinct vertical panels framed by horizontal bands of geometric patterns. The panels are filled with intricate, repeating designs that contrast organic, floral motifs with geometric knotwork. The artist's use of black ink against the off-white paper creates a strong visual contrast, emphasizing the detailed linework. Tagliente’s book served as a pattern book for embroidery, a semiotic system of signs for artisans to follow. However, the patterns also reflect broader cultural exchanges between Italy, Islamic, and Byzantine art. Consider how these designs challenge fixed meanings; they are both functional and ornamental, craft and art. The structure and repetition in this print destabilize traditional hierarchies, inviting us to see the beauty and complexity in what might otherwise be considered merely decorative.