Toelichting bij een achtkantige doos by Antoine George Eckhardt

Toelichting bij een achtkantige doos 1777 - 1778

0:00
0:00

drawing, graphic-art, print, paper, typography, engraving

# 

portrait

# 

drawing

# 

graphic-art

# 

neoclacissism

# 

aged paper

# 

homemade paper

# 

parchment

# 

print

# 

old engraving style

# 

paper

# 

typography

# 

thick font

# 

handwritten font

# 

golden font

# 

classical type

# 

engraving

# 

historical font

# 

columned text

Dimensions: height 510 mm, width 330 mm

Copyright: Rijks Museum: Open Domain

Curator: Up next we have a typography work from 1777 or 1778 by Antoine George Eckhardt called "Toelichting bij een achtkantige doos", or "Commentary on an Octagonal Box". What strikes you first about it? Editor: Well, I'm drawn to the almost architectural feeling of it. The text is laid out like a facade with a foundation and ornate little details acting as flourishes. It gives a sense of very careful… order. Curator: Absolutely, the Neoclassical influence is strong here. It’s an engraving on paper, very typical for the era, emphasizing clarity, balance, and a return to classical forms. It's like they’re not just printing words, but designing monuments out of them. Editor: Right. Words as structured forms! I keep getting caught by that initial letter “D”, encased in a floral frame; a letter of such clarity. Why use it? What's its significance? Curator: Ah, I see it as an invitation, perhaps. In iconography, initial letters were often illuminated or decorated to draw the reader into the text. Here, that framed D seems to herald an explanation, like a doorway into understanding the box itself. Editor: So it’s a kind of symbol or gatekeeper. Given the age and that it is hand written, there's a certain beauty and human quality to its imperfection, and one finds that this work is very easy to access even today, due to its organization and clearness. But why comment on such a commonplace object? It's a riddle. Curator: Maybe it's that the 'everyday' can hold so much mystery. Perhaps Antoine Eckhardt is suggesting, with all his neoclassical lines and letterforms, that even something as simple as a box can reveal deeper truths, reflect the grand order of the universe. I suppose art reveals our longing to discover meaning and significance within the most overlooked corners. Editor: Indeed, to discover stories. Perhaps there’s something incredibly intimate about holding something precious in an octagon box, I keep seeing symbols of ritual. It leaves me questioning how our visual language influences our perception. Curator: For me, I can appreciate the intent behind creating this piece and the attention to detail it demanded. There is much we take for granted in an age of endless digital media, the beauty here is found in craft. Editor: Agreed, well it gives me much to think on about this beautiful art piece and I'm still in the early stages of comprehending.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.