print, engraving
landscape
figuration
11_renaissance
line
genre-painting
history-painting
northern-renaissance
engraving
Dimensions: height 208 mm, width 274 mm
Copyright: Rijks Museum: Open Domain
Curator: Looking at this piece, it feels like an incredibly detailed tapestry, almost woven with light and shadow. The textures practically leap off the print. Editor: Indeed. We are looking at Hendrick Goltzius's engraving, "Ruth leest aren in het veld van Boaz", from around 1580, currently held in the Rijksmuseum collection. The narrative unfolds beautifully in this Northern Renaissance style print. Curator: You can almost feel the weight of the materials Goltzius worked with. Look at how he used line, an almost maniacal commitment to tiny lines to render details in this little plate. He creates such a complex depiction with simple strokes of an engraving tool and acid! And observe the level of control and skill necessary to bring a copper plate to this level. Editor: Absolutely. Consider the biblical narrative underpinning this depiction, particularly its historical context. The story of Ruth is an archetypal narrative of kindness rewarded, a social commentary that speaks to community values in 16th-century society. And in the visual depictions of laborers, Goltzius also showcases an interesting contrast between social status and hard work. Curator: What also interests me is how an artwork like this gets made and consumed, as if from the raw metal material into finished art. What kind of workshop allowed a printmaker such resources, the level of technical virtuosity, to create this type of art that would enter domestic and scholarly collections? These lines suggest the degree of specialized training and craftsmanship. Editor: Beyond the process, consider how the presentation and consumption of images shaped moral and social perspectives within society. The printing press was a tool that facilitated knowledge transfer but it could also influence social perception. We can imagine this print would influence ideas about work and ethics in society and private homes across the Dutch Republic. Curator: I'll now see Goltzius’ printmaking output in a different light. To think that "Ruth leest aren in het veld van Boaz" captures a brief instance in the circulation of an idea as a product in society. Editor: And by exploring those ideas and its creation, the artwork provides insight into the visual culture and political messages of its time, which enriches our modern perspective.
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