Familieportret van een man, vrouw en baby 1860 - 1900

This family portrait was made by Church & Brantingham, with unknown materials. The composition is a common motif that appears throughout history: the mother and child, evoking images of the Madonna and Christ. The mother's tender hold on the infant, combined with the father’s protective arm, create a tableau of familial security. We observe it in ancient Roman carvings, and it recurs in Renaissance paintings, each time subtly altered, reflecting the values and aesthetics of its age. The pocket square—a signifier of bourgeois status—contrasts the bare walls and lack of other adornments in the image. Such representations tap into a collective memory, triggering deep-seated emotions related to nurturing and protection. The family portrait evolves, reflecting not just changing artistic styles but also shifting cultural values, constantly re-emerging. It reminds us that symbols are not static but fluid, their meanings shaped by the ceaseless currents of time and culture.