Portret van Sebastian Gottfried Starck 1665 - 1721

Editor: So, this is an engraving of Sebastian Gottfried Starck. The information says it's dated sometime between 1665 and 1721. It’s striking how much detail is packed into the frame around his portrait. What jumps out at you in this piece? Curator: This engraving presents us with a rich tapestry of symbols. Notice how the central portrait of Starck is framed not merely decoratively, but didactically. The surrounding imagery acts as a visual biography, less concerned with realistic likeness and more intent on conveying his essence. Editor: A visual biography, that’s interesting! Can you expand on that? What essence are we talking about? Curator: The image motifs provide insight. We see scenes referencing biblical stories, intertwined with what seem to be allegorical representations of his life’s work as pastor and superintendent. For instance, observe the images along the top edge. Can you see how the landscapes evoke ideas of spiritual seeking and enlightenment? Editor: I see what looks like a figure kneeling in prayer, almost like a pilgrimage. It's balanced by some writing in latin: 'Anima sitiens'. Would it be right to say this suggests longing of the soul? Curator: Precisely. That symbol anchors this engraving and offers an intimate view of Starck’s life, thoughts, and devotion. Then notice the pillars, cherubs, and scenes from his life incorporated throughout – what impression do those create? Editor: They almost feel like milestones or trials and virtues, highlighting accomplishments within his religious path? It seems like he wants the world to remember and honour his legacy. Curator: It's a compelling visual statement, indeed! Cultural memory carefully curated through symbolic language. Editor: It gives me a whole new appreciation for these kinds of historical portraits! Thanks!