Portret van George Keppel c. 1762 - 1765

Edward Fisher's portrait of George Keppel presents us with the sitter draped in cloth. This stylistic choice, seen in portraits across Europe, echoes the classical world, evoking images of Roman senators and Greek philosophers. The drape itself carries a rich lineage. Consider the Roman toga, a symbol of citizenship and authority. The simple act of draping fabric has been passed down through history, shifting in meaning. It’s interesting to see how these symbols persist, evolving and adapting across different eras. The psychological impact of the drape also cannot be ignored. It evokes a sense of dignity and gravitas, and engages viewers on a deep, subconscious level. The drape has resurfaced, evolved, and taken on new meanings in different historical contexts.