Self-Portrait, Three Quarters to Left by James Barry

Self-Portrait, Three Quarters to Left 

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Dimensions: support: 180 x 127 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have "Self-Portrait, Three Quarters to Left" by James Barry, a drawing of about 180 by 127 mm in size. It looks so fragile, doesn't it? So vulnerable. What do you think of this portrait? Curator: It feels like we've caught Barry in a moment of quiet contemplation, perhaps even self-doubt. Look at the way he renders himself with those glasses perched precariously on his head. A touch of vulnerability, wouldn't you say? Editor: Absolutely. It's like he's caught between worlds, looking both inward and outward. Curator: Exactly! And those intense lines, etching out his features. It is really raw, isn't it? Like an open wound. Does that resonate with you? Editor: It does! It's like he's dissecting himself on paper. Curator: A brave act of self-reflection. He lets us see him, really see him, in all his human complexity. A gift, I think. Editor: I agree, a truly powerful and enduring image.

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tate 4 months ago

http://www.tate.org.uk/art/artworks/barry-self-portrait-three-quarters-to-left-t10438

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tate 4 months ago

Although this work is only attributed to Barry, it shows the closely-spaced nervous parallel lines and the use of stipple (the dots used to model the face) characteristic of his later drawing style. The ink has been identified as iron-gall because the dark, opaque areas are showing signs of corrosion. The ink has also absorbed UV light very strongly, another factor suggesting iron-gall ink. In order to slow down the corrosion, this work must be stored and exhibited in a carefully controlled environment. Gallery label, August 2004