Schön newes Modelbuch (Page 28r) by Sigismundus Latomus

Schön newes Modelbuch (Page 28r) 1608

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drawing, print, woodcut

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drawing

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print

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11_renaissance

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woodcut

Dimensions: Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm)

Copyright: Public Domain

Curator: This is a page, specifically 28r, from "Schön newes Modelbuch," or "Beautiful New Pattern Book" created in 1608. It is believed to be by Sigismundus Latomus, rendered in woodcut print and drawing. It's part of the Metropolitan Museum of Art's collection. Editor: Whoa, talk about organized chaos! It’s intensely symmetrical but it makes my eyes do a happy little dance of disorientation. It's like staring into a really intricate kaleidoscope. Curator: Exactly! These pattern books were vital tools. Lace making exploded during the Renaissance; publications like this offered standardized models. Notice how each register showcases distinct yet harmonious motifs? Disseminating design. Democratizing access to new styles and driving an increasingly competitive industry. Editor: Driving indeed! I can almost hear the rhythmic click of the bobbins now, envisioning skilled artisans transforming these linear codes into flowing fabric. The original was for blackwork embroidery or lace? Imagine these stitched with threads of the richest colors… or even pearls? Curator: More often, these patterns were produced using less costly materials accessible to those outside of the elites. Their accessibility contributed to new industries and social empowerment. It made high design motifs available to broader segments of society. Editor: That’s fantastic! I'm also pondering about their enduring impact beyond embroidery. The way these modular forms tessellate… couldn't these patterns inform architecture, tile design, even early computer graphics? It reminds me of early textile samples, very rudimentary yet highly structured. Curator: Absolutely. Think about information travelling—ideas migrating through visual culture and affecting artistic imagination of various groups. This “page 28r” offers evidence to support these phenomena. Editor: Fascinating how something seemingly utilitarian can trigger such unexpected connections. These aren't just patterns, they are echoes of a vibrant, bustling era, aren’t they? A blueprint to an industry! I find myself drawn to the potential—an old vision influencing new designs. Curator: Right. Examining "Schön newes Modelbuch" gives an enriching glance into cultural exchange, labor systems, and early global networks that transformed everyday material culture. The Metropolitan Museum of Art offers great cultural artifacts that help the public investigate how past design practices inform contemporary artistic and cultural production.

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