Portret van O.G. Lotsy in zijn ambtskostuum van rijksbetaalmeester staand in een fotostudio c. 1890 - 1903

Curator: The Rijksmuseum holds this gelatin silver print from circa 1890-1903 entitled "Portret van O.G. Lotsy in zijn ambtskostuum van rijksbetaalmeester staand in een fotostudio." Editor: There's such formality radiating from this portrait. He stands rigidly in uniform, leaning on a decorative chair as though it is some symbol of authority. The sepia tone lends a somberness. Curator: That ornate studio backdrop certainly does its work too. But look at the construction—gelatin silver prints like these became quite standardized by this point. The card backing, the precise chemical processes involved—it’s all about a specific system of photographic production serving the Dutch elite. Note the studio logo, advertising Cosman’s photography business, branding it from Amsterdam to Bad Kleef! Editor: Absolutely, but branding serves purpose! Lotsy, standing stiffly in his official attire, almost seems to be declaring an emblem of the empire itself. The sword at his side suggests not just administrative duties, but some assumed strength and military undertone. The background, while manufactured, supports this impression of classical strength and leadership. Curator: You're pointing at his societal role, right? That’s clearly what Lotsy wanted to communicate here, through costume and the photographic apparatus working in unison. He isn't a soldier though, just a treasurer. How interesting the tools of empire lend themselves to this depiction of financial stability as performative strength. Editor: A valid point. What strikes me is how staged it all is, how everything within this one capture comes to build and project an image of the state. What narrative do you see at play with his specific materials? Curator: Well, gelatin silver printing was rapidly adopted for studio portraits due to its relatively low cost and consistent results. Here the choice to produce such portraits reflects a specific goal, accessible display to solidify social positions of power. Editor: A keen look at this display through a materialist lens! Overall, exploring the symbolism and societal contexts has been truly enriching, thanks. Curator: And examining it with attention to its construction and function proves a rewarding experience as well.