Selbstbildnis_ Brustbild im dreiviertel Profil nach rechts by Gottlieb Welté

Selbstbildnis_ Brustbild im dreiviertel Profil nach rechts 

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drawing, paper, pencil, graphite

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portrait

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pencil drawn

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drawing

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pencil sketch

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paper

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pencil drawing

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pencil

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15_18th-century

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graphite

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portrait drawing

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academic-art

Copyright: Public Domain

Curator: This graphite drawing is "Selbstbildnis, Brustbild im dreiviertel Profil nach rechts," which translates to "Self-Portrait, Bust in three-quarter profile to the right." It's currently held here at the Städel Museum. Editor: Right. My first thought is: delicate. The wispy pencil strokes give him an almost ephemeral quality, like a memory fading at the edges. It’s quite lovely. Curator: Absolutely. The portrait style is fascinating. It reflects a move toward academic art traditions prevalent during the 18th century. Editor: Hmm, interesting, 'cause I get a distinct sense of melancholy from those eyes. Perhaps it captures the artist's moment of self-reflection, maybe some internal turmoil? I can't help but wonder about the story behind that fleeting expression. Curator: A good question. We know the drawing is by Gottlieb Welté, a figure of his time deeply ingrained with portraiture traditions. You see, this type of self-representation carries historical and cultural weight. A carefully chosen display of selfhood. Editor: Cultural weight indeed. Looking closer at his posture, and the deliberate, subtle shading of the jawline…there's also something incredibly intimate here, you know? Like he allowed us, if even for a moment, to glimpse something authentic. Maybe he let the curtain drop and forgot his pose. Curator: Exactly. Consider the visual language. Even the three-quarter profile hints at revealing layers, not the full, presented face but something more subtle, something half-concealed yet inviting closer inspection. Editor: And that elegant bow at the nape of the neck… A final flourish of vanity? I mean, we've all been there, gazing into mirrors wondering who exactly stares back at us. Curator: In the symbols that emerge across centuries we find ourselves staring back as well. These artworks resonate because they become points of cultural memory, asking eternal questions. Editor: Nicely put! It’s those eternal questions that make even a humble graphite drawing pulse with unexpected life.

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