Visvangst met krab by Albert Flamen

Visvangst met krab 1648 - 1670

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print, etching

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ink drawing

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baroque

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dutch-golden-age

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print

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etching

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figuration

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realism

Dimensions: height 113 mm, width 177 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Visvangst met krab", or "Fishing with Crab," an etching by Albert Flamen, likely created between 1648 and 1670. It’s a fascinating piece. Editor: You know, I find it strangely morbid, all those dead fish piled on top of each other. It’s…brutal, in a way that I wasn't expecting from a landscape piece. There's also something faintly comical about the crustacean clinging to this mortuary heap. Curator: It speaks volumes about 17th-century Dutch society, particularly its relationship with the sea. Flamen's focus on the fishing industry is incredibly direct, but it's not merely documentary. Consider the deliberate act of arranging these resources into what's meant to be a captivating tableau. Editor: Oh, sure, look closer, and it’s clear this isn’t just some tossed-aside heap, it’s styled—almost flaunting the result of labor. All those varied textures rendered just so...The light and shadow dance really grabs you! And the crab almost feels like a trophy placed there with intentionality. I wonder, are the ships shown further in the background fishing boats, as well? Curator: Precisely. Flamen was likely intimately aware of the etching process and its capacity to democratize image production, offering imagery to a wider consuming audience than painting alone would allow. This imagery wasn’t passively consumed; it fueled broader engagement. Editor: Which raises all sorts of questions, right? Is this still life about abundance, Dutch industry, a memento mori? Probably all of the above. Art then as now tends to ask more questions than it answers directly, perhaps thankfully. Curator: Definitely, this artwork really represents not only daily labour, but how industries become celebrated and advertised across a nation. It makes you consider who sees it, who buys it, and ultimately, how they're connected. Editor: Absolutely! Now when I gaze upon the ocean I’ll definitely wonder if there is someone immortalizing me after I’m reduced to a similar heap—what a grim but wonderfully provocative image!

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