Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 11 (verso) by Domenico da Sera

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 11 (verso) 1532

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drawing, print, textile

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drawing

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print

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book

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bird

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textile

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vase

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11_renaissance

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plant

Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm)

Copyright: Public Domain

Curator: I’m struck by how radical this piece feels despite being nearly 500 years old. The high contrast between light and dark and geometric stylization practically anticipate modern graphic design. Editor: Indeed. What you're seeing is page 11 from "Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti," created in 1532. This isn't just a drawing or a print; it’s a pattern book meant to instruct artisans on creating various needle lace designs. Curator: Needle lace, you say? Seeing the flowers, birds, and vases, the arrangement is so specific and stylized that it feels deeply symbolic. Can we speak about its possible iconography? Editor: Certainly. Consider how pattern books like this democratized design, making elaborate motifs accessible beyond courtly circles. Women, in particular, gained agency through these designs to participate in decorative practices, although we also recognize these artisanal labors are deeply rooted in issues around gendered work. Curator: I agree. And thinking about domestic space during the Renaissance period makes these pattern books an intersection of cultural values, beliefs, and domesticity all stitched together. Each carefully placed dot seems loaded with meaning, almost like a coded message from the past. The vases are potent vessels, full of symbolism, while the birds aloft may speak of aspiration or transcendence. Editor: Precisely. However, it's also worth noting that, while filled with symbolic potential, many designs like this drew from existing pattern traditions and bestiaries for ease of use and adaptation rather than solely expressing specific coded messages. We can think of how these designs function both as cultural and economical transferences between various strata within Renaissance society. Curator: The meticulous craft gives me great admiration for the skill required to render the images by hand as well as execute the pattern, reminding us of both personal skill and creativity during this time. Editor: Exactly, these are books created during the peak of the Renaissance, now made accessible through mass production to impact makers both near and far, creating new visual standards for textile creation as cultural objects. Curator: Thank you. Considering this image’s rich symbolism and broad-reaching accessibility through accessible pattern-making and design makes me look forward to the ongoing interpretations to come. Editor: A worthwhile thought. I appreciate considering both artistic legacy, women’s agency, and production dynamics when viewing this Renaissance drawing today.

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