Vrouw in klederdracht met een hond aan een water by G. Hidderley

Vrouw in klederdracht met een hond aan een water c. 1900 - 1910

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photography, gelatin-silver-print

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dog

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landscape

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archive photography

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photography

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historical photography

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gelatin-silver-print

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genre-painting

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realism

Dimensions: height 74 mm, width 94 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's turn our attention to this gelatin silver print, taken sometime between 1900 and 1910, by G. Hidderley. It's called "Vrouw in klederdracht met een hond aan een water" which translates to "Woman in costume with a dog by the water." Editor: There's such a melancholic stillness about this piece. The woman’s gaze is cast downward, and even the dog seems to share a contemplative mood. The soft gradation of the silver print adds to the overall solemn feel. Curator: Yes, the image relies on established symbolism within genre painting: the dog, classically representing fidelity or companionship, becomes closely connected to the emotional state of this woman. Editor: It's interesting to consider what societal roles are being reflected here. Her traditional clothing marks her as belonging to a particular community, and yet there's an unmistakable sense of isolation conveyed. The presence of the dog further enhances this tension: Is it there for protection, companionship, or as some kind of social signifier? Curator: Costume is, after all, a potent marker of identity. Her dress speaks volumes, visually communicating her place, perhaps rural, and era. But it could also be an idealized form presented for external audiences – a sort of picturesque fiction. Editor: Absolutely. Photography, even historical photography like this, never presents an unmediated truth. The very act of posing, of selecting this specific moment, involves a series of conscious and unconscious choices on the photographer's part. What narrative did Hidderley intend to convey? Was it a romantic vision of pastoral life or something more complex? Curator: Perhaps we’re witnessing the artist’s own longing to capture an era that was quickly fading as urban culture emerged at that time, marking this picture as not purely "real," but touched by memory and the romanticism of bygone customs. Editor: Thinking about it that way, the photograph takes on a broader significance. It becomes a commentary on the fragility of cultural identity and the challenges of preserving tradition in a rapidly changing world. This single figure seems burdened with the weight of history. Curator: Indeed. This simple composition evokes far more than just an image of a woman and a dog. Editor: Agreed, it’s an evocative photograph that really gets you thinking.

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