Allegorie op de Vrede van Osnabrück, 1648 by Crispijn van de (II) Passe

Allegorie op de Vrede van Osnabrück, 1648 1648

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print, engraving

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allegory

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baroque

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print

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landscape

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history-painting

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engraving

Dimensions: height 370 mm, width 262 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this piece, I’m immediately drawn into its theatrical mood. The heavy chiaroscuro, the dramatic gestures... Editor: Agreed. This is “Allegory on the Peace of Osnabrück, 1648” by Crispijn van de Passe the Younger. It’s an engraving, meant for wide distribution, now held at the Rijksmuseum. Let's delve into its symbolism. Curator: I notice the prominent figure of Peace descending from the heavens, trampling symbols of war, such as broken weapons and discarded armor. Isn’t that just so indicative of a culture eager for renewal? Editor: Absolutely, and notice how van de Passe depicts the negotiation taking place in the background— a key aspect of the Peace treaty is visualized there. This piece also illustrates how treaties often reflect a deeply unequal balance of power. Curator: What’s striking to me is how Van de Passe layers different traditions of visual symbolism. He creates a complex allegory referencing both Christian and classical figures. The personification of Peace as a graceful, almost ethereal figure feels particularly potent, given the historical moment. It promises spiritual renewal and echoes religious hopes for divine intervention. Editor: But that emphasis on religious peace obscures the fact that these treaties often formalized existing colonial structures. And although the allegory shows peace, remember that for many ordinary people the Thirty Years' War resulted in trauma and disenfranchisement. I am intrigued to know how effectively symbols translate across diverse social positions... Curator: Ah, that’s the beauty of allegory, isn't it? It gives form to intangible ideas, reflecting universal hopes for peace, however idealized. While your contextual approach provides valuable, material ground, the engraving is such a compelling distillation of those dreams, don’t you think? Editor: Well, while dreams have a role to play, let's not forget how those ideals could serve particular interests, and even gloss over real inequities. Ultimately this piece reminds us how carefully constructed the visual languages around "peace" always are... Curator: Indeed, studying such symbolism can illuminate those values while this piece prompts such critical inquiries. A productive perspective, definitely. Editor: A nuanced conversation this artwork facilitates, yes. It prompts questioning whose peace we’re really celebrating here and whose stories remain untold.

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