Saint Catherine of Siena (fol. CXXXXI v) c. 15th century

Curator: This woodcut, "Saint Catherine of Siena," comes to us from an anonymous artist, and although undated, it resides within the collections of the Harvard Art Museums. I’m struck by its blend of the textual and the visual. Editor: It does feel very medieval, doesn't it? The figure of Saint Catherine seems a bit stiff, almost like she’s a decorative element within the larger text block. Curator: Indeed. The figure of St. Catherine is centered, but also framed by the surrounding text, reflecting the period’s emphasis on hagiography and the didactic function of religious imagery, offering a visual representation of her sainthood while reinforcing the written narrative. Editor: I see that, but the stark contrast of light and shadow gives it a raw, almost unsettling power too. It makes me think about the role of women and power during the period in which this was made. Curator: Precisely. The woodcut invites us to consider the complex interplay of gender, religion, and power in the late medieval period. The choice of woodcut as a medium also speaks volumes, given its accessibility and wider reach within the populace. Editor: Absolutely. It's more than just an image; it's a statement. Curator: A statement, yes, but also a window into the beliefs and societal structures of its time. I find that aspect most compelling. Editor: And I find the lingering aura of defiance and spiritual contemplation the most interesting.