January – "Hard Frost" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left) c. 1836 - 1880
drawing, print, etching, paper, ink
drawing
narrative-art
etching
caricature
paper
ink
genre-painting
Dimensions: 204 × 322 mm (primary support); 342 × 508 mm (secondary support)
Copyright: Public Domain
Curator: What grabs me right away about this particular panel from George Cruikshank’s Comic Almanacks, titled "January – ‘Hard Frost,’" made sometime between 1835 and 1853, is just how rambunctious it is! Editor: Exactly! It's a proper shindig on ice, isn’t it? Feels very Breughel-esque, but with more… pratfalls. Look at that poor chap being dragged on a makeshift sled of overturned chairs! There's a real energy here. Curator: It encapsulates that 19th-century fascination with caricature and social satire. Cruikshank used these prints, made with etching and ink on paper, to comment on the foibles of British society, all within the seemingly innocent frame of a yearly almanac. Editor: Foibles, yes, but there’s also something genuinely joyful here. The frozen river—presumably the Thames?—becomes a stage for the whole community. Though, I can't help but wonder, are we meant to be laughing with them, or at them? Or maybe both! Curator: I think that tension is crucial. These images weren't just about humor; they were about reinforcing social norms and sometimes challenging them. Cruikshank often critiqued class distinctions and the disruptions of urban life. This one definitely offers an intimate glance into leisure culture and the era's unique take on winter pastimes. Editor: See how cleverly he uses line work to convey the slipperiness of the ice? It’s as though he's making the very act of viewing it feel precarious! And I find the figures wonderfully expressive—even in such a small space, each seems to have their own story unfolding. Curator: Absolutely. The Art Institute of Chicago holds a whole set of these almanac etchings. They served not only as annual calendars but as insightful reflections on the social and political currents of their time, distributed widely for public consumption. Editor: It’s marvelous how a simple scene of winter revelry can unpack so much about a society's values and anxieties, even today. This slice of history really speaks volumes beyond the icy surface.
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