Christian V 1670

Editor: This is a 1670 engraving of Christian V by Albert Haelwegh, housed at the Statens Museum for Kunst. It feels very formal, official almost… the subject gazes confidently, framed by text and an oval border. What do you see in this piece? Curator: I see a carefully constructed image intended to project power and legitimacy. Consider the historical context: 1670, a time of intense political maneuvering in Europe. Images like this served a crucial function in solidifying a ruler's authority, not just in their own kingdom, but on the European stage. Editor: So it's a piece of propaganda, in a way? Curator: It is more complicated than a simple modern day idea of propaganda. This print showcases Christian V with visual cues related to justice, piety, and hereditary rule as can be read in the inscription: these would have resonated deeply with contemporary audiences accustomed to understanding the symbolic language of power. Notice the armor, and the laurel wreath incorporated into the oval. Editor: Yes, I see how those symbols work together. Does the choice of engraving as a medium play into its role? Curator: Absolutely. Engravings were reproducible and could be widely distributed, allowing the image of Christian V to circulate amongst the populace and other leaders across geographical and social boundaries. The very act of printing also bestowed a kind of authority – the printed word and image were powerful tools for disseminating information and shaping public perception. So how does understanding all of that change your initial impression? Editor: I see it now. It’s less about capturing Christian V’s likeness, and more about creating a specific image of kingship that would have political weight. Curator: Precisely. By examining the social, cultural, and technical elements, we can unpack the message this print was intended to deliver.