Dimensions: support: 2034 x 2845 mm
Copyright: © Lisa Milroy | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: At first glance, this feels like a very sterile still life. Almost like a product catalog. Editor: Indeed. What we have here is Lisa Milroy's "Light Bulbs," part of the Tate Collections. Milroy, born in 1959, presents an array of bulbs of different shapes, sizes, and colors, all carefully rendered. Curator: The repetition is interesting. It’s not just representation; there’s something about the sheer number of objects that feels significant. Light, as a symbol, can mean enlightenment, but here, it is fragmented and displayed. Editor: I agree. The bulbs reference illumination, but also fragility, and obsolescence. The cultural memory of light bulbs is tied to progress, but now we consider their environmental impact, their eventual disposal. Curator: So it becomes less about simple illumination, and more about the cultural baggage these objects carry. Editor: Precisely, each bulb represents a moment in time, a specific type of technology, a cultural ideal—collected here as a set of relics. Curator: It makes you think about how we consume and discard objects, doesn't it? Editor: Absolutely. It's a reflection on the ephemerality of progress, packaged in a seemingly simple composition.
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During the 1980s, Milroy made a number of paintings of objects neatly positioned against a neutral background. The arrangement of the light bulbs in this work suggests a deliberate categorisation, bringing out numerous differences between apparently similar designs. Yet the purpose of this careful presentation remains a mystery. Removed from any context or hint of their purpose, they appear simply as commodities, perhaps reflecting a concern with mass-production and consumerism. Gallery label, September 2004