Fragmenten pijpenkoppen en -stelen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart by WS

Fragmenten pijpenkoppen en -stelen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart Possibly 1700 - 1735

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ceramic, earthenware

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ceramic

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earthenware

Dimensions: length 16.8 cm, diameter 0.6 cm, length 2.1 cm, diameter 0.5 cm

Copyright: Rijks Museum: Open Domain

Editor: We are looking at *Fragmenten pijpenkoppen en -stelen uit het wrak van de Oost-Indi\u00ebvaarder 't Vliegend Hart*, earthenware pipe fragments, dating to around 1700-1735. There's something haunting about these ghostly white pieces scattered before us. It makes me wonder about the stories they could tell, resting at the bottom of the sea for so long. What stands out to you? Curator: Indeed. What appears at first as a collection of broken objects speaks volumes about rituals, trade, and colonial expansion. Tobacco, transported across vast distances, became interwoven with social and economic practices. Editor: So, each piece then, embodies that colonial exchange? Curator: Precisely. Consider the cultural significance of pipes during this era – a symbol of leisure, social bonding, and even status. These fragments, recovered from a shipwreck, offer a glimpse into the lives of those aboard the 't Vliegend Hart'. Do you see a connection between form and cultural function? Editor: Now that you mention it, their simple, almost utilitarian shape betrays the weight of their history, the far-flung places they've "visited" along the trade route. I suppose it is easy to forget, but the desire to consume these everyday goods dramatically reshaped the world. Curator: You've struck upon it! The simple act of smoking becomes implicated in complex power dynamics. Furthermore, these pipes offer insights into the maritime history of the Dutch East India Company and its far-reaching global impact. Each pipe is a relic carrying profound weight. Editor: Looking at this now, it’s far more than just debris; they're pieces of a complex puzzle that reveal hidden stories about human interaction and the legacy of trade. Curator: Exactly, cultural memories cast in ceramic.

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