Grundtvig og livskilden. Præsten og salmedigteren N.F.S. Grundtvig, knælende by Niels Skovgaard

Grundtvig og livskilden. Præsten og salmedigteren N.F.S. Grundtvig, knælende 1912 - 1914

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metal, sculpture

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portrait

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metal

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stone

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sculpture

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figuration

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sculpture

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modernism

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statue

Dimensions: 55.3 cm (height) x 29.5 cm (width) x 35 cm (depth) (Netto)

Curator: This compelling sculpture by Niels Skovgaard, created between 1912 and 1914, depicts N.F.S. Grundtvig, the prominent Danish pastor and hymn writer, kneeling. Editor: Right away, it gives me this impression of quiet strength, you know? There’s something so raw and almost elemental about the metalwork, like the artist just pulled this figure straight out of the earth. He’s caught mid-prayer, or maybe in a moment of profound revelation. It is very touching in some odd way. Curator: It certainly invites introspection. It is important to consider Grundtvig's historical significance as a key figure in the development of Danish national identity and his impact on religious and educational reforms. This representation highlights a very specific historical context, one defined by evolving discourses around nationhood, faith, and modernity. Editor: Oh, absolutely! Thinking about it from a creative angle, there's this interesting contrast. He's kneeling, which implies humility, but the choice of metal, the firm lines, lend him a sense of permanence and almost defiance. It is thought-provoking how those themes interplay with the symbolism of kneeling at the "source of life" depicted around the figure, I suppose. Curator: I agree. The pose speaks to his supplication, while the metal anchors him within the very fabric of the era. Skovgaard also employed modernism to highlight the individual versus broader institutional roles of power in Danish culture. Editor: See, I love that, the tension between the individual and the institution, expressed with such quiet conviction. If this piece could talk, I bet it would recite poetry and challenge power, probably with a wink and a wry smile. It reminds us to hold onto both our convictions and sense of humour. Curator: Indeed. Skovgaard’s piece is both a portrait of a historical figure and an inquiry into the power of belief and social influence, resonating even in our present. Editor: I walked away with more than expected— a conversation starter about the weight of belief, history, and the enduring quest for authenticity. A lovely unexpected pit stop.

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