Hugo Grotius c. 17th century

Curator: This engraving by Peter Aubry the Elder captures Hugo Grotius, a towering figure in legal philosophy. There's something so still and composed about it, wouldn't you say? A sense of deep contemplation. Editor: Indeed. I'm immediately struck by the power dynamics embedded here. The crisp ruff collar is not just a fashion statement; it's a symbol of his status within a deeply hierarchical society. We must remember the immense privilege afforded to men like Grotius. Curator: You're right, that collar does act like a sort of… barrier, separating him from the viewer. And yet, Aubry manages to give him such a human quality. It's that slight crinkle around his eyes, suggesting a lifetime of thought and, perhaps, even weariness. Editor: And let's not forget that Grotius' theories on international law, while groundbreaking, were often used to justify colonial expansion and the exploitation of non-European peoples. Are we complicit when we admire such artworks? Curator: That’s a heavy question. Perhaps engaging with this print critically is precisely the way to remember the complexities—the good and the bad—of Grotius’ legacy. Editor: I concur, art forces us to confront these uncomfortable truths.