Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V by Cornelis Boel

Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V 1614

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drawing, print, engraving

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drawing

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weapon

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print

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figuration

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11_renaissance

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horse

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men

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history-painting

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engraving

Dimensions: sheet: 13 3/16 x 17 5/16 in. (33.5 x 44 cm) plate: 12 13/16 x 16 3/4 in. (32.5 x 42.5 cm)

Copyright: Public Domain

Curator: Here we have Cornelis Boel's engraving from 1614, "Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V," currently residing at the Metropolitan Museum of Art. Editor: The texture! I'm immediately struck by the density and detail rendered through engraving. Look at how the light plays across the fabric and armor. Curator: It depicts Charles V's procession into Rome. Consider the complexities of power visualized here – the Holy Roman Emperor submitting to the Pope, yet simultaneously demonstrating imperial might. Editor: Yes, the layering of social structure on the plate is compelling! It makes me wonder about the workshops involved. Boel certainly relied on the division of labor, both in design and the physical labor to print it. How many impressions could be produced? What was the nature of the collaboration? Curator: It speaks volumes about the era's societal norms and power dynamics. Think about the role of the Church and Empire in shaping early modern Europe and consider how that would have informed a viewer in the 17th century. Editor: It's interesting how the artist captured the texture and the weight of those materials. You almost feel the heft of the armor and the plushness of the papal vestments. Curator: We also have to look at it through the lens of political theory; how would contemporary philosophers view the complex interactions represented? Who is empowered and disempowered in this rendering of history? Editor: And what inks were available at the time? How many stages would it require, and to what degree does the printing affect color perception and value of distribution? I'd wager the materials had social currency in their own right. Curator: Boel’s artwork really offers insight into social order. Hopefully, looking at the complex arrangement of power makes you wonder how this image reflects the values of its time and prompts consideration of the inequalities embedded in the culture and processes behind it. Editor: Exactly. It is such a powerful depiction when we consider production and consumption! Thank you for diving deeper into this remarkable historical engraving with me.

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