print, metal, relief, engraving
dutch-golden-age
metal
relief
landscape
engraving
Dimensions: diameter 2.7 cm, weight 4.91 gr
Copyright: Rijks Museum: Open Domain
Editor: Here we have a Dutch "Scheepjesschelling" from 1736, created from metal using the engraving technique. The scene on the coin is quite intricate, depicting a ship at sea. The sheer volume of text cramped onto this little disc gives me a slightly anxious feeling. How do you interpret this piece, in terms of both its historical and cultural significance? Curator: It’s essential to situate this coin within its historical context. The Dutch Golden Age was fuelled by maritime trade and colonial expansion, but this prosperity rested upon systemic exploitation. So, I want to question how this idealized depiction of maritime power potentially obscures a more complex story. Do you see this coin as purely celebratory? Editor: Not purely, no. I see the potential for a darker side, knowing the history. The inscription "Vigilate Deo Confidentes" seems to mean "Watch, being confident in God." Is there perhaps a cautionary element interwoven with the pride? Curator: Precisely! It's interesting that you pick up on the religious text; it suggests that reliance on God must support trade ventures. Also, think about who had access to such a coin, and what sector of the Dutch population it might represent? The elite, most likely. We can explore whose stories aren't present in its design, to reveal more complicated truths. Editor: That's a crucial point. Focusing on the elites could easily hide stories of exploited labourers and enslaved peoples whose work underpinned the success of those ships. Curator: Absolutely! What appear as picturesque seascapes mask violence and coercion. By analysing whose stories this coin silences, we start unpacking how power operates through symbolic representations. Editor: This has given me a whole new way of looking at seemingly simple historical objects. I appreciate you unveiling these obscured layers and challenging my assumptions! Curator: My pleasure! It's through that intersectional lens that history comes alive.
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