Oude vrouw by Jacobus Ludovicus Cornet

Oude vrouw 1832

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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charcoal drawing

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figuration

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pencil drawing

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romanticism

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pencil

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line

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portrait drawing

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realism

Dimensions: width 116 mm, height 135 mm

Copyright: Rijks Museum: Open Domain

Curator: This is Jacobus Ludovicus Cornet's drawing, “Oude Vrouw,” dating to 1832. It’s a piece executed in pencil, and what strikes me first is its directness. Editor: I agree. The stark simplicity, achieved through very economic use of line and shadow, lends the piece an almost melancholic atmosphere. Her hands clasped tightly—it feels weighty, doesn’t it? Curator: It does, and consider Cornet’s societal context. During the early 19th century, increased urbanization and changing social structures left many elderly people vulnerable and marginalized. Her clasped hands speak, for me, to anxiety around social isolation. The Romanticist impulse driving artists at the time valued capturing emotional truths of individuals on the fringes of power. Editor: An insightful observation. I see the power dynamic reflected in the asymmetry of the composition, with her figure compressed towards the right and plunged against that intensely dark negative space. Note how that tight cropping accentuates the textured layers in her aged skin and weathered clothing? The crosshatching to generate tone is incredible for a simple pencil. Curator: And that attention to detail reflects a broader shift towards realism that was influencing artists across Europe, the move to accurately capture the everyday. In representing this elderly woman with such unfiltered honesty, Cornet challenges the romanticized portrayals that were common at the time and perhaps asks us to confront uncomfortable truths about aging. Editor: Yes. By avoiding idealization, the composition forces us to engage with her humanity, seeing wrinkles not as imperfections but as intricate lines etched by lived experience. Curator: It makes one ponder the significance of images, especially within institutional spaces, like this Rijksmuseum. Editor: It is, when you think about it, powerful. This piece reveals a story both personal and universally human through very delicate, sensitive lines. Curator: I agree; this humble drawing presents her reality in such an accessible way, fostering a quiet, impactful contemplation.

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