The Courtesan Karauta of the Ōgiya Brothel, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (“Hinagata wakana no hatsu moyō”) 1777 - 1778

Editor: Here we have Isoda Koryūsai’s woodblock print from around 1777, depicting The Courtesan Karauta of the Ōgiya Brothel. The patterning on their kimonos is incredible, so intricate and beautiful, though the faces all seem quite similar to me. What do you see when you look at this piece? Curator: It makes me wonder, doesn't it, how much the perception of beauty is dictated by the tastes of an era. In a world obsessed with individuality, here’s a study in refined conformity. But beyond that, I find myself drawn to the economy of line, how much emotion and character are suggested with so few strokes. Have you noticed the curve of the central figure’s neck? Almost a question mark hanging in the air. What do you make of that downcast gaze? Editor: I suppose it speaks to a sense of reserved dignity. It's interesting how her hidden face actually draws my eye *more*. What do you think it was like to experience these prints when they were brand new? Curator: Like glimpsing another world, perhaps. These prints served as fashion magazines, celebrity portraits, and snapshots of daily life, all rolled into one. It makes me feel that in their own time, they must have offered the thrill of seeing and being seen, the very essence of modernity. Tell me, what feeling do *you* walk away with? Editor: Definitely a feeling of connection – bridging centuries, getting a glimpse of real life in the moment it was lived. Thanks for opening my eyes! Curator: And thank *you* for reminding me how essential curiosity is to truly see.