The Flagellation c. 16th century

Curator: This striking piece from the Harvard Art Museums is entitled "The Flagellation." Created by an anonymous artist, it’s a circular work, measuring about 23 centimeters. My first impression is its stark depiction of violence. Editor: The composition is incredibly dynamic, isn't it? Note the converging lines that radiate from the figures. They amplify the sense of motion and brutality. The artist uses the circular format to trap the viewer within the scene. Curator: Considering its probable religious context, this piece likely served a didactic purpose. These graphic depictions were intended to remind viewers of the suffering of Christ, and, moreover, the cost of their own sins. Editor: Indeed, but I’m struck by the formal elements. The restricted use of line and the contrasting light and dark areas create a powerful visual narrative. The artist uses the human form to convey not only physical pain but also, through Christ's posture, resignation. Curator: It’s a potent reminder of the societal function of religious art during the period, meant to instill both belief and obedience. Editor: Absolutely, and considered purely as visual rhetoric, the piece is incredibly effective.