Left Side of Tracks 1940

Editor: We are looking at Alma Lucile Land Lacy's 1940 etching, "Left Side of Tracks." It's a detailed scene; my initial impression is one of quiet isolation, emphasized by the stark contrast of the dark sky and snow-covered buildings. What stands out to you most about the composition of this print? Curator: Indeed. Focus upon the utilization of line: notice the stark horizontality of the railroad tracks, juxtaposed with the verticality of the telephone poles and signs. These opposing forces create a sense of tension and balance within the composition. Furthermore, observe how the artist employs light and shadow to define form and space. Are you also observing how the use of hatching and cross-hatching to create texture enhances the realism? Editor: Yes, the textures are remarkable for an etching. How do these choices play into the overall mood of the work, particularly its seeming isolation? Curator: Consider the reductive qualities of the palette itself. The limited tonal range serves to amplify the feeling of starkness and perhaps, even, alienation. Lacy is simplifying forms in the Regionalist tradition. One might even perceive, through the strategic use of these artistic tools, that an ordinary, banal scene achieves significance, suggesting a deeper exploration of human experience amidst an industrial, potentially desolate, landscape. Editor: I never thought of the lack of color adding to the mood that way, but it makes complete sense. Thanks for helping me analyze the etching using formalism, I'll pay close attention to formal qualities from now on. Curator: You're welcome! Considering art through the lens of structure, balance and line will bring an added understanding of an artist's vision and skill.