Heilige Filippus van Ravenna 1637 - 1691

Curator: Look at this intriguing engraving. It's titled "Heilige Filippus van Ravenna," dating back to somewhere between 1637 and 1691. Raffaello Schiaminossi created this piece, and we're fortunate to have it here at the Rijksmuseum. Editor: Immediately, I feel a sense of solemn weariness emanating from this figure. The bowed head, the humble garments—there's a quiet strength in his bowed posture but I cannot avoid but feel dispirited because of this sad image. Curator: Precisely! Schiaminossi captured a very specific mood. The engraving depicts Saint Philip, known for his humility and service. See the basket and staff? They are physical markers to show his dedication to a life serving the poor, as he traveled for them. Editor: Right, but let's think about who "gets" to be portrayed as weary or pious. How does representing servitude—specifically in religious art—reinforce existing hierarchies and power dynamics? He is poor, not only of material, but also spiritual poor! Curator: A valid point about the dynamics of representation. However, consider also how Philip's bare feet suggest a connection to the earth, echoing the symbolism of humility and selflessness. We can trace this specific kind of hagiography all the way to even the desert fathers! Editor: And that connection to nature underscores my point further. It's a romanticized vision of poverty and labor that doesn't grapple with the brutal realities of 17th-century life for marginalized communities. It lacks social context. Curator: Well, it also evokes continuity with earlier traditions, but I concede your point. Look closer; do you observe any subtle differences between how texture is treated within Saint Phillip, or the landscape? It evokes a sense of depth that goes beyond the religious connotations alone. Editor: Yes, that juxtaposition certainly elevates its aesthetic appeal. The textures on his simple clothing give volume. Curator: It really shows how this man may represent a simple person with basic garments. Editor: Definitely! A work like this invites many considerations – the beauty of its technique, and how images wield cultural power through these artistic traditions. Curator: A beautiful demonstration on our part! What we take, and also what we reflect!