Gezicht op de Grote of Onze-Lieve-Vrouwekerk in Dordrecht c. 1860 - 1900

Andries Jager captured this view of the Grote Kerk in Dordrecht with a photograph, using a paper negative. Jager's work exists within a 19th-century Dutch society marked by rapid industrialization and urbanization, processes which deeply altered the social fabric and challenged traditional ways of life. Consider how Jager's choice of subject matter—a towering church—might speak to the intersection of faith and identity in this period. The church wasn't just a place of worship; it was a symbol of communal identity and a repository of shared histories, all set against the backdrop of a changing world. Jager invites us to contemplate the emotional weight of these transformations, and prompts us to reflect on the complex interplay between belief, belonging, and the built environment.