Koorhek in de Jeruzalemkerk in Brugge, België before 1887

Here is an anonymous image of the choir screen in the Jerusalem Church in Bruges, Belgium. The photograph is dominated by a play of light and shadow, rendering the stone architecture with a tactile depth. The composition is structured around the verticality of the screen and the adjacent doorway, creating a visual rhythm that invites the eye to move upwards. The formal arrangement here suggests an intricate semiotic structure. The screen, with its repetitive arches and pillars, can be interpreted as a boundary that simultaneously separates and connects the earthly and the divine. The statue of the virgin and the staircase introduce a narrative element, hinting at ascension and spiritual access. The photograph is not merely a representation but also an encoding of spatial and religious hierarchies. Ultimately, the interplay of light and shadow in this image underscores the complex relationship between visibility and meaning. The choir screen does not simply exist as an architectural feature; it functions as a signifier within a larger cultural and philosophical discourse.