Cupid and Psyche 

Editor: So, here we have a marble sculpture called "Cupid and Psyche," and it's credited to Peter Paul Rubens. The first thing that strikes me is how intimate the piece feels, the entwined figures conveying a sense of vulnerability and tenderness. How do you interpret this work? Curator: Immediately, the interwoven figures of Cupid and Psyche suggest a profound connection, a mirroring of souls through physical closeness. But notice too the symbolism inherent in their nudity – a vulnerability and honesty stripped bare, mirroring their emotional states. In a broader context, such pairings in art signify more than just love; they embody ideals of beauty and the soul, reflecting concepts prevalent in Greek and Roman art. Editor: The placement of Cupid's wings almost seems to enfold both figures, creating a safe, protected space for the two lovers. Was Rubens trying to create some sort of "love cocoon"? Curator: Yes, this ‘love cocoon’ imagery isn't accidental. Wings frequently represent divinity or transcendence, and in Cupid's case, they elevate and bless their union, but what is truly brilliant is the implication of a barrier to the world, an emotional boundary shielding them. Are there any particular symbolic objects within the image that stand out? Editor: Now that you mention it, the discarded quiver and arrows. Is it meant to be about their love as being now harmless? Curator: Precisely. Discarded weapons imply a ceasing of conflict, maybe they're more about mature, enduring love? Perhaps he’s laid down his traditional implements of war? Editor: So this image speaks about love as a transformational state that makes you discard some earlier behaviours? Curator: I'd agree completely. And the sculpture encourages us to shed our own "weapons" and embrace the transformative vulnerability of love. A sentiment that I am happy to reflect upon.