Segno grigio 1971

Here we see Turi Simeti's "Segno grigio" (Grey Sign), which is rendered in a subtle palette of whites and grays. The canvas presents an interplay of texture and form that invites contemplation. At first glance, the work appears almost monochromatic, but closer inspection reveals how the artist's manipulation of light and shadow creates a dynamic surface. The gentle curve emerging from the lower portion of the canvas disrupts the uniformity, giving the work a sculptural quality. Simeti’s work engages with ideas of minimalism and spatial perception, and the shaped canvas challenges the conventional boundaries between painting and sculpture. The subtle gradations of tone and the tactile quality of the surface draw us into a quiet, meditative space. It’s through these formal elements that Simeti prompts us to consider the potential of subtle gestures to transform our understanding of space and form. "Segno grigio" is not just an object of aesthetic appreciation, but an invitation to engage in a dialogue about the very nature of perception.