Untitled 1953

This untitled piece was made by Verena Loewensberg sometime in the 20th century, and it's like looking into a world made of pure geometry. I’m imagining her arranging orange circles and half-circles on a canvas, each form so precise. The act of painting itself becomes this intricate dance, a shifting puzzle where trial, error, and intuition guide the way. I can sympathize with Loewensberg, trying to bring a sense of order to her work. What was she thinking, I wonder, when she set out to create it? The paint looks smooth, each shape evenly colored, contributing to a sense of calm and balance. It reminds me of other artists playing with geometry like Bridget Riley but with a warmer palette. It’s like artists are always talking to each other across time, you know? They are in an ongoing conversation, inspiring each other's creativity. Painting is a form of expression that embraces ambiguity and uncertainty. It allows for multiple interpretations, inviting us to bring our own thoughts and feelings to the mix.